Technique
Follower Back Sacada
Realistically there are a few sources of information about this stuff, but honestly most of them are done in a performance OR are missing the
Realistically there are a few sources of information about this stuff, but honestly most of them are done in a performance OR are missing the
The Sacada is probably one of Tango’s more interesting pieces of Tango vocabulary. Mostly because it looks really cool and complicated. And yet it’s complexity
What is a Golden Sacada ? The Golden Sacada consists of 6 Sacadas that when placed together create the illusion of them being a ‘figure’ when in fact it’s actually a series of Sacadas that are chained together, or a Chained Sacada that flows quite nicely from one Sacada idea to the next. The reason we call this The ‘Golden’ Sacada, is that it contains 4 of the 6 most common Sacadas that we’ll use when we dance. The last 2 of the 5 Sacadas are uncommon but do allow for some interesting options and opportunities.
What is a Crossing Sacada Turn ? In its simplest form it’s nothing more than a series of Simple Sacadas that are chained together that just so happen to utilize the Follower’s Molinete or ‘Turn’, which employs the Argentine Cross as it’s basis for entry. While the turn can be done without this entry point, it loses it’s ‘elegance’ by without using the Argentine Cross.
What is a ‘Loco’ Sacada ? It is an over-rotation of the Follower’s Ocho, employing an Over-Rotated Back Ocho for the Follower into the Lead‘s Forward Step.
‘Ocho Cortado’. The word ‘cortado’ translates into English as ‘cut’ or cutted (which isn’t a word) or an Ocho that is Cut. In today’s version of the modern Ocho Cortado it rarely resembles its ocho variations or ocho roots. It’s no wonder when people say the words for the first few times they get a little confused and can’t see the embedded ocho properties that are sitting there.
What is Intention Based Dancing? In its simplest form ‘Intention’ is really about not using pressure, tension, or force, with one’s arms, or hands in any way, shape, or form to communicate an idea, a thought, or a movement. But rather the idea of ‘Intention’ is to intend to do something. To propose, to invite, to advice, to guide, to profer…these are all statements that we, as dancers, are asking our Partners to engage X.
When we’re first starting out with Tango, both roles see the idea of a sacada as cool, flashy, or impressive. And they are until you realize one simple, but immutable, fact: They’re illusions…of walking technique. The Sacada happens due to an intersection of the Follower’s walk into the Lead‘s or vice versa. At the same time, the Sacada is usually relegated to something that is done in open embrace and/or thought of as ’nuevo tango’ vocabulary.
What is a Back Sacada ? The easiest way to describe this Sacada, which is a displacement, where either the Lead or the Follower will displace and then take the place of their partner by using a Back Step! Generally, these types of Sacadas require Applied Disassociation to make them happen for either role.
What is a ‘Simple‘ Sacada ? The fact that we’re limiting the Sacada to two of the three basic walking steps: 1.) Side Steps. 2.) Forward Steps. The Sidestep is the more common of the two Sacadas, not the Forward. Usually, in order of precedence, it’s a.) The Lead Sacadas the Follower’s Side Step. b.) The Lead Sacadas Follower’s Forward step. c.)The Follower Sacadas the Lead’s Sidestep, and finally, d.) The Follower Sacadas the Lead’s Forward step.
Why Should You Signup ? The simplest reason is that you won’t find this stuff anywhere else. It’s a different kind of tango education. It will help you to understand what you want, how to do it, and why you want to do things with Intention in mind. It will show you how to listen to the music, and how to create different types of vocabulary, as well as how to engage in the milonga environment. This site is all about showing you a better pathway towards a type of tango that reinforces the ideas of Social Tango thru Intention Based Dancing.