Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dance. “Social” in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

However one thing is true that probably no one told you, that the ‘talking’ part ends the moment your feet hit the floor and you’re in your partner’s embrace.

To be clear, there’s an axiom that the more advanced dancer adheres to for a variety of reasons: “If you’re talking, you’re not dancing”.

What does that really mean aside from the obvious STFU ? It means simply that IF you are talking to your partner AS you are dancing with them, you are more than likely (not always, but most certain more than likely) not really focused on dancing with them, nor your own technique, nor what’s happening around you, nor your embrace. Your balance, posture, stability, foot placement, leg trajectory, all suffer because you’re not focused on what you’re supposed to be doing. As a result you’ll start to miss things, you’ll start grabbing on for balance and stability, you’ll engage pressure (tsk!), compression (tsk!), tension (tsk!), force (tsk!). All because you’re rather focused on the talking part instead of the dancing part. Put simply, your technique suffers when you are talking instead of dancing. You forget how to execute ‘X’ properly because you’re too busy talking. Those wonderful private lessons you’re taking, will all go right out the window because you’re talking instead of dancing, instead of focusing on your dance.

Argentine Tango requires all of your focus, all of your awareness, not just some of it, not a piece but all of it. If you’re talking you’re going to miss things, very important little tiny things. And those little tiny things are the dance. The devil, in this case, really is in the details and when it comes to Argentine Tango the details matter, immensely.

Some people believe that they’re capable doing two or more things at once or multitasking. Studies have shown that when you’re  ‘texting & driving’ things tend to not work out so well. The same is true here just without (thankfully) the deadly consequences. Unfortunately Argentine Tango doesn’t work that way. You need to focus all of your attention on the details, the nuance, and more importantly the music, and your partner. This is one reason why the better dancer in the room is ‘better’ because they’re not talking while they’re dancing. They save the talking part for either before the tanda, during the song breaks, or after the tanda, but not while they’re dancing with their partners.

Do what you want, but quite honestly, unless you can sing (ON KEY please), you’re doing nothing more than distracting your dance partner by talking to them while you believe you’re dancing with them. To be clear, this isn’t the tango police dictating to you how you should or shouldn’t social dance, nor is it arrogance, or anything else that would prevent you from hearing the message of Talk Less, Dance More. It is a simple reminder that talking is a distraction. Let the singer, the music, and the dancing do all the talking for you.

MORE REMINDERS

Getting To Buenos Aires

You’ve been dancing for a while, and you keep seeing these posts about Buenos Aires. Your dream has slowly developed to go to Buenos Aires, to experience for yourself what all the fuss is about. First there’s the dancing, you’ve heard it’s the best. There’s the shoes! OMG the shoes. Then there are friends that have been and rave about teacher X or Milonga Y. You’ve see the videos of performances at Salon Canning (but didn’t know it was Salon Canning), the pictures from Milongas, and thought to yourself that it didn’t look all that challenging than your local milonga there are just more people. You’ve heard that Spanish isn’t necessarily a requirement because there’s a lot of foreigners that speak English, and a good portion of the teachers speak it too. So you if you went, you wouldn’t really need to learn Spanish. 

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The Male Follower

This post isn’t about the benefits of Following for the Male that dances, of which there are many, such as hyper awareness of all the things you do not want to do. No. Nor is this post about dancing in heels (which can be quite educational on many, many levels), nor the benefits of actually doing that work. Nor is this post about the simple fact that some men do enjoy Following quite a bit (the author included) and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Men That WANT to Follow and some pointers that you want to think about doing.

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Learning The Other Side

Let’s get right to the heart of the question, "Why on earth would anyone want to learn the other side of the embrace ?". The answer to that question is actually not a singular answer, there are actually 5 good reasons why you learn the other role that you may or may not disagree with. They are as follows:

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Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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Architecture

Architecture. There are certain things we want to do with our bodies in relation to Argentine Tango and Social Dancing, one of them is to ‘close our fingers’ or bring our fingers together in every possible place where we lay our hands on our partners or they come into contact with our partner’s bodies.

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On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else. Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up.

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Couples

Couples, as a pair, develop their own shorthand for communicating with each other. They remark on events in their time together as ‘that time we did that thing when that thing happened, remember ?’. They invest their emotional time in each other as caring, loving (hopefully), partners that genuinely are invested in each other’s successes (hopefully). In one respect they are to each other intimates, while at the same time they see each other as support mechanisms, and so much more.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay). There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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