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The ‘Classy’ Move

Argentine Tango has a lot of wonderful vocabulary that could be called ‘Moves’. Some are very svelte, some are incredibly sexy, and some are downright amazing to the untrained eye. However, there is one move that does not require a trained eye, and doesn’t require years of training. As a matter of fact a complete beginner can master this in under 10 seconds. Sadly there are no classes or workshops on this one, except maybe this Topic.

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went.

What is it ? It’s The ‘Classy’ Move.

This is a piece of Tango vocabulary that you absolutely want to have in your arsenal, no if’s, and’s, or but’s about it.

Let’s set this up – You invite someone to dance with you, preferably employing Cabeceo. You escort them from their table (or wherever you found them) to the floor. The dance ensues, with a bit of small-talk between the songs, and then the Tanda ends. 🙁 You say, “Thank you” and your partner responds appropriately. Up to this point everything is going well, but this is where the ‘advanced’ dancer rushes off the floor leaving their partner standing there, but you however employ – The ‘Classy’ Move!

Ready ?

This is The ‘Classy’ Move: You escort your partner back to where you found them! 🙂

Tango has certain protocols that over the years have developed into it’s own thing called ‘Codigos’. It’s the way we enter the room, ask for dances, figure out where to sit, who to talk to and why, this is the social aspect of the dance called ‘Codigos’ or the Codes of the Dance.

Sadly The ‘Classy’ Move is not taught, shown, or reinforced at all. And as a result of that lack of social knowledge you have whole generations of dancers that just rush onto and off the floor looking for their next partner, leaving their current partners standing there. In polite society, this is considered rude behavior. Codigos solves those nasty social problems that we typically create in our rush to get what we want. We can still get what we want, with elegance, and decorum, while looking fabulous doing it!

Escorting your partner from the floor – The Single Classiest Move in Tango.

And just so that we’re clear, if this sounds like the Tango Police, or claptrap, or arrogance, or as if you’re being dictated to, then you’re missing the point of the Topic. Which is ? To remind you that Tango is not about the moves, steps, patterns, or figures, or even the music, it’s about the Social aspect of the dance. Hence the reason it’s called a ‘Social Dance’. And that means treating people with respect, not rubbernecking and rushing from one dance to the next.

One More Thing: Some people will see a very typical male lead/female follower dynamic in this post. Meaning that ‘men’ are the perpetrators of this Tango ‘Crime’. 🙂 This is not case. This is not a man thing, it’s a people thing. Women do this too for a variety of reasons. So let’s not gender bash here, it’s not necessary, or warranted. This is a people thing.

A piece of this post was originally part of Tango Truisms Volume 3 – 1076. It has been updated a lot from the original post.

MORE REMINDERS

Proprioception

According to Webster’s Dictionary the word ‘Proprioception’ comes from the latin word ‘proprius’ meaning “one’s own” or “individual”, and ‘capio’ or ‘capere’ meaning to take or to grasp. The word itself means a perception of one’s own body in space and time, as in the awareness of one’s body in space and time, as it refers to bodily position in space and time.

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Waiting vs. Listening

What is Waiting Vs. Listening ? In it’s simplest form this comparison deals with the axiom of Followers are told to "Wait for your L/lead", and instead implies that there is another idea sitting there that almost never gets talked about and in today’s Tango world almost never gets used, which is "Listening".

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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The ‘High Season’ in Buenos Aires

What is the "High Season" in Buenos Aires ? It’s the period of time between December 15th and March 15th when several things happen all at once. 1.) It’s INSANELY HOT. It should be noted that sometimes this is called the ‘hot’ season. 2.) The traveling teachers return home to practice, and to build new routines. 3.) There’s a lot of tango touristas (you). 4.) There’s a lot of seminarios that happen. 5.) Did we mention there’s a lot of people ?

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Variation

Repetition is only good in horseshoes and hand grenades. Which is to say, that no one, absolutely no one, likes being led to the same thing over and over and over again. Variation is the key to success! Small variation, large variations that open doors to other ideas, other thoughts. But in the end, variation. Taking an idea and then reversing it, or slowing it down, speeding it up, speeding up a part of it (musically), slowing down a piece of it, taking off the beginning or the end and reversing their positions. This is variation.

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Lead Bashing

Bashing ? Meaning that you’re throwin’ some shade, picking on, pointing out the errors of, giving some shit, pointing fingers at, trash talking, talk down, blaming and shaming, and the euphemistic UK’ism “taking the piss”. While that last one is more about making fun of someone, that’s not actually what this idea is all about. It’s about disparaging someone, or in this case, from a Tango perspective, the L/lead’s abilities (the person, and the action).

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Milan for Followers

A good spot for Followers to plan their next Tango vacation is: Milano. Why ? Several reasons. 1.) The men dress nicely for Milongas. No. It’s true. They actually dress up for Milongas. And as has said before in Vol 3. (Truism 1096), nothing screams ‘come hither’ more to a woman than a man in a tailored suit! And in this case, usually the shoes are handmade as well. 2.) Then there’s the fact that they smell nice.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

Read More »

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5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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