The Bloody Toe

The fact is that while open-toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

To be clear, a Follower can have their toes injured in any number of different ways by a Lead who has not mastered Proprioception yet. And a fair number have not. How do you know ? Watch what the Lead is looking at! If they’re watching the floor/the follower’s feet…it’s a good bet that they’ve not mastered or even come close to thinking about mastering Proprioception! Failure to do that has real-world consequences as any Follower wearing open-toed shoes will tell you – the dreaded stubbed toe! 

The problem ? Is that when the Lead momentarily lifts their gaze/head from watching the Follower’s feet, to watch the line of dance, this is when an injury can and does happen. That instant is when their eye/foot coordination goes right out the window and it’s so unpracticed that they misjudge where they are in space and time….and well…BAM! Ouchie!

Worse than the stubbed toe is The ‘Bloody’ Toe! What’s that ? It’s when a Lead quite forcefully, and they’re completely unaware of it, steps into their follower’s foot line, and their shoe (usually hard leather) comes into hard or harsh contact with the Follower’s Toe Nail! Ouch. There are 2 possible results here depending on the force that was applied:

1.) Chipping the Toe Nail – This happens quite frequently and while painful, it does tend to ruin the Pedicure that said Follower had done. 🙁

2.) Lifting, and then either jamming the toenail backwards, or worse…up! That tiny little lift is just enough to either lift the nail completely off. And not only is wholly unpleasant, it’s painful as the day is long. Trust me at that point, the Follower doesn’t feel like dancing or completing the tanda. The only thing that they feel like doing is

a.) Getting off the floor and holding onto their foot.
b.) stopping the profuse amount of blood at that juncture. and
c.) Reminding themselves why they bought open-toed shoes to begin with.

There aren’t enough 🙁 emojis in the world to cover this one.

The Tango Topics Opinion. Is this a usage case for Closed Toe Shoes ? Yes. Absolutely. However, most Closed Toe shoes don’t have the sexy appeal that the Open-toed shoes have. So it’s trade-off between sexy comfort and not sexy and safety. The choice is as always yours. You do what you want with that one. But just be aware that at some point, you’re going to run into this, literally and figuratively. 🙁 To be fair, Closed Toe shoes have another detracting factor, and that’s the narrow tip of them. Meaning they tend towards a tapered narrowed closure. And quite honestly, it’s confining and compressive. Your toes eventually adjust to being so cramped but facts is facts…it’s not all that pleasant. It’s just another of the trade-offs — Safety and a modicum of comfort (‘modicum’!) vs. the risk of a chipped nail, or worse a bloody stump!

One way that you can avoid or minimize the ‘Bloody’ Toe issue is to keep an eye on the Leads who watch the floor…just say “No” when the cabeceo comes. 😉 Mind you, it is not the only way to minimize the Bloody Toe syndrome, but it’s definitely one way.

MORE REMINDERS

Perfectionism

There are those of us that separate being ‘good’ as being good enough, and anything beyond that is just ‘unnecessary’. It’s really about getting around the floor, and if no one complains about the embrace, or you don’t hit anything, or anyone, and you can throw in that cool move now and again, so much the better!

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The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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The Former Salon Canning

There are very few places left in Buenos Aires that still evoke the majesty of Tango’s yesteryears, for many, that is Salon Canning. From the moment you walk in the door, down the long hallway towards the white double door ‘entrance’ to the dance floor, you know you’re in a special place. The walls are lined with pictures of dancers that have come and gone, artwork and photography from local tango artisans. The entry hallway almost looks athenian, almost. It may help that the columns outside add to that idea.

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Moscow For Leads

There’s a row of women sitting in Moscow (usually several rows deep actually). Only these rows…are every Lead’s fantasy! Yup. Truth. Let’s get something straight. The food is awful. It’s usually effing cold anytime after september and before june. Getting in an out of Moscow (Russia) isn’t exactly a piece of cake (for an American), there are hoops to jump through (read that as VISA issues). It is not exactly cheap. And there is rampant crime in ways you can’t even begin to imagine.

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The ‘Right’ Shoes

Some day soon, you’re going to want the perfect pair of shoes. These shoes in your mind, completes the Tango image you have for yourself dancing socially. They make you look elegant. They make you feel like you can do anything. Mind you that image is an illusion in your head, but let’s not quibble about reality. These shoes are either handmade in Italy, Istanbul, Buenos Aires, or somewhere and/or something in between. They’re the shoes you always dreamed of. They’ve got all the features that you believe will allow you to become, finally, the dancer that you’ve always wanted.

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The Powerful Follower

What is a Powerful Follower ? A Follower that has first and foremost a.) the force of the Follower’s muscles (legs – quads & glutes specifically) engaging with acceleration, power, and strength….

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Rejection

What follows relates to the verbal ask for a dance and the rejection, this thought does not talk about the reject from a failed cabeceo or mirada. Let’s lay out some facts before we get to the heart of this stuff. Fact: The ask, no matter how ‘sly’ you think you’re being, is going to be awkward.

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Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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