Lethargy (Moving Too Slow)

While this isn’t necessarily an ‘age’ thing. It is a human thing, we tend to move at the speed at which we think is ok. Put us in front of someone else and their idea of speed, and our idea of speed, or how fast something should be done is shall we say a little wonky. Very infrequently do we do ‘X’ at the same speed as someone else does ‘X’. There’s always, always, always a difference. Now put this in the context of Tango, where there is a definitive lead, and a definitive follow activity, and that’s where things go right off the rails. And that descriptive is without music! Add the music into the equation, which is acting as a time manager, and it’s anyone’s guess what will happen!

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

What’s about to be said is going to sound like Follower Bashing, it’s not, it’s an observational fact that you don’t want to hear for a variety of reasons, most notably is that Followers get the short end of the stick more often than not. A greater number of Followers suffer from the problem of Lethargy for a variety of reasons. Why ? Frequently Followers are told to be passive, to ‘Wait’ (the use and application of the word creates a weaker Follower on multiple levels). They’re told this over and over and over again. So much so that they ‘wait’ even when they don’t have to. It becomes a default behavior in them. And then you have Leads (the person, not the action), that quite literally reinforce this idea by saying “You have to ‘wait’ for me”. So it’s no wonder that this problem exists. As a result, the Follower is slow to react, and the sensation is as one is ‘moving in quicksand’ or a ton of bricks.  Mind you neither of those are true but that’s the perception.

To be fair, Leads also suffer from this same problem as well. (Didn’t see that one coming, did you ?) They’re either off-beat, or off-execution by a second or two, or off-response response and that creates this wavering lag time that just looks like said Lead doesn’t know what they’re doing. It’s like missing a bus by a full second and then running after it. Only in this case the running after the bus, lasts for an entire song! Talk about embarrassing. Seemingly never to catch up. That’s not true actually. But that’s the perception. Just to clarify, ‘off-response response’ refers to when a Lead (the person, not the action), who is already late in an execution, feels a Follower has executed ‘Y’, the Lead’s own response to the Follower’s response is slow or lethargic!

There is a fix for this problem is to employ the practice in solo practice of: Overshooting to Underdo. Meaning ? You practice walking, extensions, and foot placement drills, at 90 or 100 beats per minute instead of 50. The effect is that you will eventually translate those practice drills to the dance floor as second nature. And at that point, we have another issue ‘Speedy Gonzales’, and then we have to talk about ‘Metering’ but that’s another topic for another day.

MORE REMINDERS

La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

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Spectrum of Ideas.

Because there are no ‘Standards & Practices’ in Tango, therefore ‘Right’/’Wrong’ are subjective, which are for the most part, based on your teacher’s point of view of how things should be done. And as a result you, the unwitting student, take one those ideas as your own because you believe that because X is teaching that they must be the soul of all wisdom. Very infrequently do tango teachers teach a fair and balanced, or well rounded point of view. They usually teach what their subscribe to in their Tango world view, what they agree with, and what their teacher showed them. Very infrequently will they teach something that is outside that world view.

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Hoy Milonga

The app shows you exactly what milonga is happening on that day, where the milonga is at, and when, what bus lines are closest to that milonga, and how to get there. It also shows you contact information as well to call them for table reservations. It’s kept upto date, and is a free download for iOS and/or Android. There is also a companion website which shows you the same basic information as the app just laid out in a better format.

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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The Waiter Hand

Another one that you’re going to see a lot of is the Lead who places his palm upward, flat, and outwards, sometimes fingers outstretched as if they were a waiter serving drinks at an upscale bar. The elbow is dropped, and the hand is well below shoulder level.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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The ‘Connection’ Fallacy

Connection” is a wonderful idea. We like to believe in the romanticism of this word, and all that it implies, which is as it turns out a considerable amount. However, the word itself, from a Tango perspective, has been beat up and bruised that it more than likely has lost it’s original intent. When you say the word to someone it could mean any one of eight (8) different things as it relates to the dance. However, this is not a definition of the word, for that please see the Tango Topics Definition of the word "Connection". 


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The ‘Passion’ Lie

“The Passion of Tango” or “Tango is a Passionate Dance”. You have heard these statements repeated over and over again, from so many people, teachers, dancers, and teacher/performers that it’s almost like second nature at this point. These statements and others like them promote an idea or a series of ideas about Argentine Tango that get people into the dance, and ultimately to stay with the dance.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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