Lethargy (Moving Too Slow)

While this isn’t necessarily an ‘age’ thing. It is a human thing, we tend to move at the speed at which we think is ok. Put us in front of someone else and their idea of speed, and our idea of speed, or how fast something should be done is shall we say a little wonky. Very infrequently do we do ‘X’ at the same speed as someone else does ‘X’. There’s always, always, always a difference. Now put this in the context of Tango, where there is a definitive lead, and a definitive follow activity, and that’s where things go right off the rails. And that descriptive is without music! Add the music into the equation, which is acting as a time manager, and it’s anyone’s guess what will happen!

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

What’s about to be said is going to sound like Follower Bashing, it’s not, it’s an observational fact that you don’t want to hear for a variety of reasons, most notably is that Followers get the short end of the stick more often than not. A greater number of Followers suffer from the problem of Lethargy for a variety of reasons. Why ? Frequently Followers are told to be passive, to ‘Wait’ (the use and application of the word creates a weaker Follower on multiple levels). They’re told this over and over and over again. So much so that they ‘wait’ even when they don’t have to. It becomes a default behavior in them. And then you have Leads (the person, not the action), that quite literally reinforce this idea by saying “You have to ‘wait’ for me”. So it’s no wonder that this problem exists. As a result, the Follower is slow to react, and the sensation is as one is ‘moving in quicksand’ or a ton of bricks.  Mind you neither of those are true but that’s the perception.

To be fair, Leads also suffer from this same problem as well. (Didn’t see that one coming, did you ?) They’re either off-beat, or off-execution by a second or two, or off-response response and that creates this wavering lag time that just looks like said Lead doesn’t know what they’re doing. It’s like missing a bus by a full second and then running after it. Only in this case the running after the bus, lasts for an entire song! Talk about embarrassing. Seemingly never to catch up. That’s not true actually. But that’s the perception. Just to clarify, ‘off-response response’ refers to when a Lead (the person, not the action), who is already late in an execution, feels a Follower has executed ‘Y’, the Lead’s own response to the Follower’s response is slow or lethargic!

There is a fix for this problem is to employ the practice in solo practice of: Overshooting to Underdo. Meaning ? You practice walking, extensions, and foot placement drills, at 90 or 100 beats per minute instead of 50. The effect is that you will eventually translate those practice drills to the dance floor as second nature. And at that point, we have another issue ‘Speedy Gonzales’, and then we have to talk about ‘Metering’ but that’s another topic for another day.

MORE REMINDERS

Rejection

What follows relates to the verbal ask for a dance and the rejection, this thought does not talk about the reject from a failed cabeceo or mirada. Let’s lay out some facts before we get to the heart of this stuff. Fact: The ask, no matter how ‘sly’ you think you’re being, is going to be awkward.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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Giving Up Tango

There comes a point in your Tango life for one of several reasons where you find yourself in an odd place – the want to give up Tango. The most common reason is that you’re just not getting the same thing from the dance as you used to get from it. You go to Milongas. You find yourself sitting more, talking more, and dancing less.

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Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Compression

Compression’ means that you’re either pulling your partner into you and/or at the same time restricting their movements in a myriad of ways (hand, arm, head). As a Lead this typically manifests itself with your right forearm. As a Follower compression is typically done with your left forearm around your lead’s shoulder (tsk, tsk, tsk, it should not be there).  

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The Row of Women That Sit

They’re at every milonga in the world (with an exception or two – Russia & Asia). Every. Milonga. THAT row of women, of a certain age, and a certain disposition, that for a few valid reasons (pretty or not) who are sitting, and not by choice. Most have been sitting for more than an hour or two.

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Perfectionism

There are those of us that separate being ‘good’ as being good enough, and anything beyond that is just ‘unnecessary’. It’s really about getting around the floor, and if no one complains about the embrace, or you don’t hit anything, or anyone, and you can throw in that cool move now and again, so much the better!

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Musicality Vs. Interpretation

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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The ‘Passion’ Lie

“The Passion of Tango” or “Tango is a Passionate Dance”. You have heard these statements repeated over and over again, from so many people, teachers, dancers, and teacher/performers that it’s almost like second nature at this point. These statements and others like them promote an idea or a series of ideas about Argentine Tango that get people into the dance, and ultimately to stay with the dance.

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