Lethargy (Moving Too Slow)

While this isn’t necessarily an ‘age’ thing. It is a human thing, we tend to move at the speed at which we think is ok. Put us in front of someone else and their idea of speed, and our idea of speed, or how fast something should be done is shall we say a little wonky. Very infrequently do we do ‘X’ at the same speed as someone else does ‘X’. There’s always, always, always a difference. Now put this in the context of Tango, where there is a definitive lead, and a definitive follow activity, and that’s where things go right off the rails. And that descriptive is without music! Add the music into the equation, which is acting as a time manager, and it’s anyone’s guess what will happen!

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

What’s about to be said is going to sound like Follower Bashing, it’s not, it’s an observational fact that you don’t want to hear for a variety of reasons, most notably is that Followers get the short end of the stick more often than not. A greater number of Followers suffer from the problem of Lethargy for a variety of reasons. Why ? Frequently Followers are told to be passive, to ‘Wait’ (the use and application of the word creates a weaker Follower on multiple levels). They’re told this over and over and over again. So much so that they ‘wait’ even when they don’t have to. It becomes a default behavior in them. And then you have Leads (the person, not the action), that quite literally reinforce this idea by saying “You have to ‘wait’ for me”. So it’s no wonder that this problem exists. As a result, the Follower is slow to react, and the sensation is as one is ‘moving in quicksand’ or a ton of bricks.  Mind you neither of those are true but that’s the perception.

To be fair, Leads also suffer from this same problem as well. (Didn’t see that one coming, did you ?) They’re either off-beat, or off-execution by a second or two, or off-response response and that creates this wavering lag time that just looks like said Lead doesn’t know what they’re doing. It’s like missing a bus by a full second and then running after it. Only in this case the running after the bus, lasts for an entire song! Talk about embarrassing. Seemingly never to catch up. That’s not true actually. But that’s the perception. Just to clarify, ‘off-response response’ refers to when a Lead (the person, not the action), who is already late in an execution, feels a Follower has executed ‘Y’, the Lead’s own response to the Follower’s response is slow or lethargic!

There is a fix for this problem is to employ the practice in solo practice of: Overshooting to Underdo. Meaning ? You practice walking, extensions, and foot placement drills, at 90 or 100 beats per minute instead of 50. The effect is that you will eventually translate those practice drills to the dance floor as second nature. And at that point, we have another issue ‘Speedy Gonzales’, and then we have to talk about ‘Metering’ but that’s another topic for another day.

MORE REMINDERS

Snobby People

The fact is that there are snobby people everywhere. There are always going to be the ‘holier than thou’ among your local group, and really anywhere you travel. The fact is that you can’t get around them, you have to deal with them, and there is a way to do that. Ok, truthfully you could avoid them all night long if you wanted to but that doesn’t help you very much.

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Physiological Control

Control is a really hard thing to get. It takes a while to have precise, or precision, control over exact foot placement, which is insanely important. It takes time to build up the necessary minute control that one needs to have over one’s body. A millimeter here, a millimeter there, cumulatively, can make all the difference between a dance that sucks (for both parties) and one that is absolutely fabulous. Precision control is where all the toys are at.

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La Viruta

Let’s get the details out of the way. The sight lines are awful. It’s dark, pitch dark in certain parts of the room. It’s crowded, and hot even with the A.C on in the ‘summer’. The drinks are expensive. The tables are small, assuming you can find one or have reserved one (which is recommended). The ‘hot’ area, meaning a place to ‘get’ dances, in the room is in front of the bar at the back left side of the room, and the entrance fee is on par with everywhere else (see end). There’s a restaurant upstairs, and on Mondays and Tuesday nights there is Salsa there. The rest of the week, it’s all Tango baby. There are classes nearly every night of the week, for different levels.

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A Community Tanda

What is a Community Tanda ? Put simply it’s a Tanda whereby the participants of a Milonga are invited, and then wholly encouraged, to dance with someone that they have NOT danced with before or at all.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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The Female Lead

This post isn’t about the benefits of learning to lead for the woman that dances, of which there are many. No. Nor is it about the hyper awareness of all the things you do not want to do as a Follower, which is going to happen by default. Nor is this post about the supposition that women of a certain age swap shoes and end up leading because no one wants to lead them anymore. Not. Nor is it about the fact the simple fact that some women do enjoy leading quite a bit and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Women that WANT to Lead! (Just as a side note, most of this stuff also applies to the male lead too, you need the reminders).

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The Seasoned Dancer

The dancer who has been dancing for a certain amount of time has passed through the multiple, multiple flirtations. They’ve had the flirtations that lead to attractions, and then the attractions that turn into dalliances, and some that go beyond that.

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