The Same People

You have local friends that you have acquired through the dance. They met you at a very specific point in your tango development. You’ve danced with them over and over again. You almost never say ‘no’ to them because they’re fun to dance with or they’re nice people. Over time you settle into a nice, almost comfortable routine of your dancing friends, where you’ll go to the practica or milonga, you’ll dance with J, then K, then L, then M, then N, rest, then dance with A, then B, then C, then D, rest, then J again, then M again, then A, and that’s your night right there. The next event. It will be the same people in a different order. The next event, same people different order. Over and over again for months on end.

Sound familiar ?

While this may sound like fun as this is part of the point of social dancing to make friends and to dance with them, understand something else that’s happening to you: You are dancing with the same people, over, and over, and over again.

At what juncture do you think you’re going to improve dancing with the same people ? Answer ? Never. This practice is akin to learning with beginners expecting that this will improve your understanding of technique. It won’t. It can’t. You need an experienced dancer to show you what desirable dancing is really like.

There is a point of diminishing returns in continuing down the same pathway with the same person doing the same thing over and over again. There is no growth in this. Don’t mishear this is as the dance should be all about growth, all about technique, or all about this or that. No. Think of this as a reminder that there needs to be an equal balance of growth and tango development in your tango life, as well as dancing with friends, study, practice, music, traveling for events, etc. lest you stagnate into “thud”, pulling, pushing, hanging, compression, and the ladies that sit, or the guys that stand! You need a constant stream of ‘better’, things that will challenge you, change you. And dancing with the same people over and over again over a long period of time you tend to live inside of an echo chamber that tells you everything is alright, when in fact, it may not be.

Let’s address the ‘pink’ elephant in the room that comes up when this topic is addressed. “What’s wrong with staying the same ?”. Try this on : You’ll go to dance with someone outside of your bubble/echo chamber and the experience is a lot like a box of chocolates. For you it may be delightful, but it’s the other side of the coin that you need to be concerned with. Why ? Because for them, it may not be ‘all that’. And because you’ve lived inside your bubble of sameness for so long you may not be aware of the signs that something is amiss and misread the situation, and thereby miss a really good opportunity to learn, to change, and to grow as a dancer. The goal here is not about perfection (which is how some people hear this feedback), but rather balance AND versatility! Growth is desirable. The real and palpable dancer is stagnation. Just as in life we should always be looking to create and never just float along for too long. It gets old after a while. The end result is that you become a desirable dancer to everyone that you dance with, always interesting, a pleasant experience across the board, instead of within your bubble.

Put another way: You need to dance with as many different people as possible, as often as possible, you want a vast array of tango experiences not just the same thing over and over again.

MORE REMINDERS

The Row of Women That Sit

They’re at every milonga in the world (with an exception or two – Russia & Asia). Every. Milonga. THAT row of women, of a certain age, and a certain disposition, that for a few valid reasons (pretty or not) who are sitting, and not by choice. Most have been sitting for more than an hour or two.

Read More »

The Importance of Two Millimeters

Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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Tango Accents

You may not realize this but you have an accent. The place that you live in, the people that you dance with, the teachers that you have studied with, and last but not least, the variation of those ideas from the original, creates a local tango ‘accent’. Every city where Tango is danced has an accent which is specific to that place and to that place alone. Boston, San Francisco, Paris, London, Berlin, Moscow, etc. They all have one, up to and including Buenos Aires, especially Buenos Aires! The difference between your local flavor of Tango and say Boston, Paris, and London, is like night and day within a spectrum of ideas.

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The Female Lead

This post isn’t about the benefits of learning to lead for the woman that dances, of which there are many. No. Nor is it about the hyper awareness of all the things you do not want to do as a Follower, which is going to happen by default. Nor is this post about the supposition that women of a certain age swap shoes and end up leading because no one wants to lead them anymore. Not. Nor is it about the fact the simple fact that some women do enjoy leading quite a bit and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Women that WANT to Lead! (Just as a side note, most of this stuff also applies to the male lead too, you need the reminders).

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The Walking Debate

A good portion of Follower’s close their eyes while dancing. The Lead, obviously, can’t close their eyes, but they do cast their eyes towards the floor to watch their Follower’s feet (tsk, tsk, tsk). They close their eyes for a variety of reasons: 1.) To be able to concentrate better. 2.) To ‘feel’ their partner in a more ‘connected’ way. 3.) To not be so distracted by the rest of the room. 4.) To feel more intimate. 5.) To tune out.

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La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

Read More »

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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