All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay).  There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

However, we’re not talking about Buenos Aires, which is where you would expect this sort of thing to happen. There are other places where the ‘All Night Milonga’ concept happens. Usually in the larger metropolitan areas where going all night long is no big deal. However in smaller towns and cities….all night usually means until 2 am. Wooohooo. Yippeeeee. Ahem.

Where are these mythical beasts ? There’s one in San Francisco (Berkeley really, at The Beat), New York (Sarah La Rocca’s event), and a few other places. Sometimes these things actually do go all night, and some times not. Usually these are monthly events and not weekly, so don’t get your hopes up of it happening constantly. There are some places like Berlin (and Germany in general), Denmark, and the Netherlands that have noise ordinances that prevent a milonga from going all night (with the windows open). Why is that important ? Because you’ll be insanely hot in those places because they keep the windows closed (even in the summer time)! 🙁 Bring a change of clothes, and shoes…you’ll need it. As romantic as an ‘All Night’ Milonga sounds, these things generally produce a lot of sweat. Oh and Followers after about 2 or 3 hours in heels, you’re going to want to change into your practice shoes. Just sayin’…romantic is one thing, reality on the hand, is another. 

What classifies as an ‘All Night’ Milonga ? A milonga that closes at 5 am at minimum! That is the only really defining measure of ‘all night’, other than that it’s a milonga that goes and goes and goes and goes with all the same things. Generally these types of events tend to have a snacks table, with cakes, pies (apple pie in Berkeley), fruit, chips, wine, juice, water, and of course…COFFEE! Sometimes you’ll find Mate (pron: Mah-tay) at these things. 

It’s right about this point that you have to give a shout out to a DJ or a pair of DJs that do these things: A milonga that starts at 9 and goes until 5, that’s 8 solid hours of music! Then depending on the tanda structure either 3 or 4 songs per tanda (6 or 8 in BsAs), that’s about 6 or 7 tandas an hour (3 songs per), with at minimum 1 vals, and 1 milonga tanda, or about 21 songs per hour, or about 168+ songs in a night. And if that doesn’t sound like a lot, think about this…all of that music has to be danceable, must flow seamlessly from one idea to the next, from one tanda to the next, must cover a lot of ground and appease a lot of different styles or ideas of what is danceable, and lastly can not repeat for 8 hours straight with cortinas! Respect!

And while we’re on the subject, if you’re planning on going to a Festival, or a Marathon. Sometimes the Festival/Marathon organizers idea of all night generally means until 2 or at the latest until 3 am…and sometimes even that’s a stretch. Not all Festivals/Marathons are like that, but a good portion of them are. So for the diehards,‘all night’ might be a bit of a disappointment.

So lastly if you think you can handle an All Night Milonga, then go, test your skills. However, be warned that the spirit may be willing, but the feet on the other hand…

MORE REMINDERS

The Row of Women That Sit

They’re at every milonga in the world (with an exception or two – Russia & Asia). Every. Milonga. THAT row of women, of a certain age, and a certain disposition, that for a few valid reasons (pretty or not) who are sitting, and not by choice. Most have been sitting for more than an hour or two.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

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5 Reasons

Why does someone enter the Tango world ? What drives them to engage in Argentine Tango ? Not what makes them stay but why do they get involved with Argentine Tango ? There are commonalities to why someone walks this pathway, no pun intended. These are distilled down to about Five Common Reasons why someone enters Tango. These are the reasons why and not the reasons why someone stays in Tango. Those are very different reasons, but rather why they started dancing in the first place.

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The Tango Haus

What’s below is a small snippet of 13m:06s audio podcast of Today’s Topic on the benefits and detractors of building community using the idea of a Tango House. “What I refer to as the Tango ‘Haus’ idea. In this case this is the German spelling of ‘HAUS’. I just like the way it sounds. But we can use the American spelling of ‘House’. So a few years back and I may be bastardizing some history here. There was a tango house, and I’m not going to name the city, that grew up out of a U.S. based city. This community, at the time had a number of teachers in its area, and they were all using the typical model of how they wanted their students to learn to dance.

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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