Age (Women)

For women, age does matter. Sadly.

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

Understand something that skillz always trumps beauty, always. I know that your experience says otherwise. Because from your perspective said younger and prettier is getting all the dances, and you’re still sitting. What you fail to realize is that (as sexist as this sounds) said Follower is the ‘flavor of the moment’. Eventually there will be another ‘flavor’, and that one you’re getting all persnickety about right now, will be sitting next to you a week from now wondering the same thing (‘what happened ? I was so popular last week….’).

Your only winning move, the thing that will constantly trounce beauty, is to work on your skills, constantly: Work on your balance, your stability, your embrace, not to hang, not to pull, not to push. Work on your forward steps, your side steps, your back steps. Work on being an INDEPENDENT follower where you do not need to hold on to your lead in order to move, you do not need your lead to stabilize you, you can walk, turn, and cross BY YOURSELF! If you can’t do that, then you have issues that need to be resolved before you are going to get what you want.

There are other caveats to this line of reasoning that need to be addressed such as your ‘Tango Baggage’ (Vol 3 – Truism 1146) before you can trounce beauty completely. However, working on your skills, constantly and showing up diligently for classes every week, and dancing as much as possible in practicas, is a good start. That and more than a few private lessons with more than ONE tango teacher! And one more — Two words for you: Follower Technique videos, classes, workshops. 

There is another pathway to ‘dancing‘ where age has no meaning. It means learning to lead. And the mature dancer knows and understands that this is a viable possibility. It’s just one that a good number of them do not wish to think about. Some view it, for a variety of reasons, as either too much work (not so by the way, it’s the same amount of work just in a different area), as ‘unladylike‘, or something akin to not ‘real‘ dancing. All of this is of course is fallacy to be certain. It’s a reason not to go deeper, not to fully understand the dance, to take it out of the black art of gender specific dancing, and instead fully take responsibility for one’s own movement, and truly understand what you really want to doing. There is one major side benefit to swapping roles, and that’s you’ll finally understand the other side of the embrace and it will inform you to improve your gendered specific role in ways you can’t even begin to imagine.

One point of note, a good portion of Followers will hear this advice above as Follower Bashing. So the thinking goes, here you have one more male lead teacher/dancer blaming the follower instead of what’s happening for the lead (or so you assume), that doesn’t Follow (I do, and socially!), doesn’t know diddly about how to Follow (I teach this stuff frequently), that hasn’t danced in heels (Not so. I used to own a pair of black velour comme il fauts in my size), and doesn’t take the Lead to task for what’s going on for them! All not true. As evidenced here, and here. And here, and here, and here, and here, and here, and here, and here, and here just to name a few. This site, equally points out the issues with BOTH roles, not just one. This stuff is a lot to take in all in one bi/yte. and it’s hard enough with just one role to hear just one piece of the topic, where there are multiple issues that need to addressed.

The Tango Topics Opinion: Let’s get something straight, we live in a society that glorifies youth, and disposes of people of age. That sucks. It’s wrong. It shouldn’t happen, but it does. Youth sells. Age does not. It’s not sexy. And sexy sells. At the same time for a woman of a certain age, there is something to be said for age, wisdom, patience, and grace. Look, men are going to be men, and there’s no denying that. You can’t get around them. Ok, you can, but there’s a different way to deal with this stuff instead of beating yourself up that you’re not 25 and not getting all the dances in the room. Chillax, pick your partners very carefully, and while this may mean sitting more than you would like especially when you want to dance to a particular milonga tune, be patient and relax. Enjoy the music, and get the tandas that you absolutely want. Don’t go after every tom, dick, and larry. Choose your Tom’s very carefully. Very. Focus on the quality of the dance as much as you can not the frequency. That and private lessons wouldn’t hurt on a weekly basis. That said, one thing to note is to get out of your local scene and travel as much as you possibly can. The more you travel and the more that you see the tango world, the less it will feel stagnant in your local scene. One thing to try is the Encuentro Scene in Europe. It is where a lot of women of a certain age are showing up. Just a thought. Anyway, YMMV. Smile.

MORE REMINDERS

Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie.

Read More »

Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

Read More »

Physiological Control

Control is a really hard thing to get. It takes a while to have precise, or precision, control over exact foot placement, which is insanely important. It takes time to build up the necessary minute control that one needs to have over one’s body. A millimeter here, a millimeter there, cumulatively, can make all the difference between a dance that sucks (for both parties) and one that is absolutely fabulous. Precision control is where all the toys are at.

Read More »

The ‘Connection’ Fallacy

Connection” is a wonderful idea. We like to believe in the romanticism of this word, and all that it implies, which is as it turns out a considerable amount. However, the word itself, from a Tango perspective, has been beat up and bruised that it more than likely has lost it’s original intent. When you say the word to someone it could mean any one of eight (8) different things as it relates to the dance. However, this is not a definition of the word, for that please see the Tango Topics Definition of the word "Connection". 


Read More »

Practice with Tango Sticks

At some point along your tango curve, you have wanted 1.) to practice a step, a pattern, or a figure. Or 2.) you have seen something that you want to try out. Or 3.) you’re imagining an idea of how something might work and want to try it. In all three of these instances, you will need a practice partner. You’ll need to schedule their time against yours. And once you’re in the same room with them, balance their issues of how they do X vs. how you engage X. And once that challenge is overcome then it’s getting into the idea of what it is you had in mind to begin with. All told, this could be several hours or days between the idea and the actual doing of it.

Read More »

Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

Read More »

Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

Read More »

Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour and pointing out all your flaws with very little actual correction instead of focusing on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

Read More »

The ‘Right’ Shoes

Some day soon, you’re going to want the perfect pair of shoes. These shoes in your mind, completes the Tango image you have for yourself dancing socially. They make you look elegant. They make you feel like you can do anything. Mind you that image is an illusion in your head, but let’s not quibble about reality. These shoes are either handmade in Italy, Istanbul, Buenos Aires, or somewhere and/or something in between. They’re the shoes you always dreamed of. They’ve got all the features that you believe will allow you to become, finally, the dancer that you’ve always wanted.

Read More »

10 REASONS TO SUBSCRIBE

There are 4 Levels of Access: Free, Basic, Premium, and Premium+. Free pays nothing but gets a perk just for signing up. 

1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

2.) 
Basic and Premium users Save A BOATLOAD of MONEY! Buying this stuff outright is expensive.

3.) Basic, Premium, and Premium+ users get access to the ALL ARTICLES and THE FULL ARTICLE which you can’t see right now.

4.) Basic, Premium, and Premium+ users have way better video resolution: Free = 420p, Basic = 720p, Premium = 1080p and 4K. 

5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

6.) Video Downloads! 

7.) Access to the Tango Topics Music Library (22 Curated Golden Age Orchestras)

8.) Access to ‘Tango Del Dia’ – Our Music Education System with access to 14 Days of Music, 30 Days of Music Education, and 30 More Days of Tango Del Dia. 

9.) We explain things, break the vocabulary down in a visual way, from multiple angles, showing feet, hands, and close ups! Yes there’s a lot of talking but we want you to understand what it is that you’re doing and why, not just steps, patterns, and figure

and #10:
No more annoying ads at the bottom of the page, begging you to subscribe! 

Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME MSG HERE