Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture. 

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

Sounds easy enough, right ?  Just lift your head up, and then ummmm ‘elongate’ your spinal column. 

The ‘elongate’ part is where most people get confused. Why ? A variety of reasons, but mostly because their idea of elongation from a posture line of reasoning is usually muscled force, to pull the spinal column upwards. This ‘pull’ or elongation once achieved is usually held in place by tension or rigidity to achieve a ‘posture’. Sitting upright, straightened back, ramrod straight, that sort of thing. This is not ‘good’ posture. It’s actually work. And the wacky part is that it does far more harm than good.

Usually.

Further still it is usually an act of will or a force of will only last for a moment or two, and then the dancers will revert back to what is comfortable for them. Completely forgetting about it because they’re ‘dancing’ now and there are way more important things to deal with. And yet what they don’t realize is that it is their posture which defines everything that they do! They don’t see the relationship between their movements and their posture. Their posture is in everything that they do. Everything. For a lack of a better way of putting it: Posture creates the visual lines that they’re generating, everywhere. From their walk, to their embrace, to their vocabulary choices, within the muscial construct. Good posture is what can and does create a good dancing experience from both sides of the embrace.

As far as muscled force is concerned, we ideally don’t want to do this. We actually want a relaxed lower back and this is the hard part of Posture: We ideally want to engage an upright posture without rigidity, tension, or force in your lower back! Your muscles in your back should be pliable! This is easier written/said, than done. 

In fact training yourself to do precisely this takes time, patience, and practice. One place to start learning these ideas is with Alexander Technique. Alexander Technique is a way to use your body to optimize movement and posture, without using tension or force to do it.

MORE REMINDERS

Alternative

There is another option as it’s referred to in the Tango world, Alternative Tango. Sometimes Alternative Tango is known by it’s other names “Neo” Tango or “Nuevo” Tango (which is a misnomer, as this was name that Astor Piazzolla gave to his musical genre that changed Tango music forever). Frequently “open embrace” is lumped in there as well due to the fact that a good portion of the vocabulary of Alternative Tango seemingly comes via an opening of the embrace.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Heel vs. Toe (Lead) ?

Today’s Thought is a very old debate with a twist, as you’ll soon see. The Debate ? To step forward (or side) with a Heel strike first OR a Toe point first. So let’s debate, shall we ? The Heel Side: This side of the debate says that you can and should, when stepping forward, step forward as if you were walking on the street, normally. You would use the heel in a natural way, allowing it to strike the pavement or the floor (in the case of dancing) as you would normally. There’s nothing about this idea that is new. This is something that you don’t necessarily need to learn a whole lot about, as it just ‘happens’. There’s not a lot to it really.

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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh. 

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Giving Up Tango

There comes a point in your Tango life for one of several reasons where you find yourself in an odd place – the want to give up Tango. The most common reason is that you’re just not getting the same thing from the dance as you used to get from it. You go to Milongas. You find yourself sitting more, talking more, and dancing less.

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Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie.

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Men That Don’t Study

Men. Oy. Tango is hard enough, but adding ego to the equation just creates a whole other level of issues that most women can agree is a lot like a pissing contest. Before we lay into this like white on rice: Being fair, not all men have an ego when it comes to Tango. A smaller number of them do recognize that Tango is a study. As such it requires them to do their homework, on a regular basis. And ‘homework’ in this case means private study, solo practice, solo study, musical study, on a daily basis.

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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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Snobby People

The fact is that there are snobby people everywhere. There are always going to be the ‘holier than thou’ among your local group, and really anywhere you travel. The fact is that you can’t get around them, you have to deal with them, and there is a way to do that. Ok, truthfully you could avoid them all night long if you wanted to but that doesn’t help you very much.

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The ‘Classy’ Move

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went. What is it ? It’s The ‘Classy’ Move.

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