Body Contortion

A good portion of people come into the embrace, Lead or Follow, and in one way, shape, or form, contort their bodies to make the dance work while dancing, rather than employ proper technique.

Contort ? Yes. For example: As a Lead or Follow they might dance with a ‘head tilt‘ towards (buried into) or away from their partner, or as a Lead they’ll employ ‘waiter arm and hand‘, or as a Follower they’ll dance in their Lead’s armpit, twisting their body to the side, and un-leveling their shoulders. This is contortion.

You would think that these dancers can feel the contortions.

No. They can’t.

To them the contortion is normal, this is how they view the dance.

Correcting contortion is not easy for one simple reason: Their bodies, their nervous system, their muscles are used to the contortion! And because they’re used to the contortion, doing anything else aside from what they usually do is painful to them. Muscles, nerves, tendons that they have strengthened to do X, Y, and Z (the contortion), is now being asked to do A, B, and C, and it’s painful to them, even for a minute. The A, B, and C in this case is better tango posture, desirable head position, relaxed arm and hand positions that do not employ tension, resistance, and/or force.

Correcting that contortion and bodily awareness takes time, patience, and lots of reminders.

Those reminders, by the way, are constant, even after a minute of hearing it, and doing it, while being reminded of X, Y, and Z, they’ll go back to X, Y, and Z! Why ? Because it’s comfortable for them. It takes a lot of time and reminders to unlearn what they have learned. And for a while the dance will be uncomfortable. That discomfort is an absolute requirement to learning and employing better tango technique. 

MORE REMINDERS

La Viruta

Let’s get the details out of the way. The sight lines are awful. It’s dark, pitch dark in certain parts of the room. It’s crowded, and hot even with the A.C on in the ‘summer’. The drinks are expensive. The tables are small, assuming you can find one or have reserved one (which is recommended). The ‘hot’ area, meaning a place to ‘get’ dances, in the room is in front of the bar at the back left side of the room, and the entrance fee is on par with everywhere else (see end). There’s a restaurant upstairs, and on Mondays and Tuesday nights there is Salsa there. The rest of the week, it’s all Tango baby. There are classes nearly every night of the week, for different levels.

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Milan for Followers

A good spot for Followers to plan their next Tango vacation is: Milano. Why ? Several reasons. 1.) The men dress nicely for Milongas. No. It’s true. They actually dress up for Milongas. And as has said before in Vol 3. (Truism 1096), nothing screams ‘come hither’ more to a woman than a man in a tailored suit! And in this case, usually the shoes are handmade as well. 2.) Then there’s the fact that they smell nice.

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Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Wine & Tango

Stop and think about something for a moment: Wine is alcohol (duh). Alcohol is a depressant, not a stimulant, it lowers our inhibitions, and ability for rational thought. It allows for us to do things while under it’s effects (inebriation) that we wouldn’t normally do. Like for instance, ‘drunk dial the ex’, or taken to the extreme – driving while intoxicated (tsk, tsk, tsk). Typically the average ‘wine’ drinker never gets beyond the tipsy stage….they can ‘hold their liquor’ as it were.

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The ‘Connection’ Fallacy

Connection” is a wonderful idea. We like to believe in the romanticism of this word, and all that it implies, which is as it turns out a considerable amount. However, the word itself, from a Tango perspective, has been beat up and bruised that it more than likely has lost it’s original intent. When you say the word to someone it could mean any one of eight (8) different things as it relates to the dance. However, this is not a definition of the word, for that please see the Tango Topics Definition of the word "Connection". 


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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME MSG HERE