The ‘Connection’ Fallacy

Connection” is a wonderful idea.

We like to believe in the romanticism of this word, and all that it implies, which is as it turns out a considerable amount.

However, the word itself, from a Tango perspective, has been beaten up and bruised that it more than likely has lost its original intent. When you say the word to someone it could mean any one of eight (8) different things as it relates to the dance. However, this is not a definition of the word, for that please see the Tango Topics Definition of the word “Connection“. 

The Fallacy that Today’s Tango Thought is talking about refers to the belief that somehow the physiological construct of someone’s embrace, or their walk, or their interpretation of the music is complimentary (or not) to the clarity of what was intended. Which, and here’s the rub, creates the illusion of safety, security, understanding, couple gestalt, co-dependence, and most of all intimacy. This is the fallacy.

To be fair no one can create those things, it is a perception that we all have to feel wanted and understood. It’s part of our basic group human nature that goes back thousands and thousands of years that has not left us, nor will it ever. It’s part of the reason that Tango is a social construct. A rigid, highly structured, social construct but a construct none-the-less!

Is this fallacy desirable ? No. Are you going to engage in it anyway? Yup. Why ? Because the fantasy is far easier to subscribe to than the reality. The reality is that you’re wobbling all over the place, that your embrace is insanely compressive, that you hang, you push, you pull, and you’re completely unaware that you’re doing these things, constantly. That’s the reality. And if that sounds like ‘bashing’, or perfectionistic language, then you’re missing the point entirely.

The point: While you can engage in the fallacy all you want, the realities are still going to be there until you clean up your issues. Once you do, and this is the part you’re really after believe it or not, then the ethereal constructs that you seek will be even more elusive to you, more so than you can realize. And you will continue to believe or delude yourself in the pursuit of the fallacy of ‘Connection’ that this is Tango, and it’s not. There is something far greater than you can possibly conceive of in the waiting for you if and only if you remove your issues from the equation.

MORE REMINDERS

Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay). There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

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Giving Up Tango

There comes a point in your Tango life for one of several reasons where you find yourself in an odd place – the want to give up Tango. The most common reason is that you’re just not getting the same thing from the dance as you used to get from it. You go to Milongas. You find yourself sitting more, talking more, and dancing less.

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The Former Salon Canning

There are very few places left in Buenos Aires that still evoke the majesty of Tango’s yesteryears, for many, that is Salon Canning. From the moment you walk in the door, down the long hallway towards the white double door ‘entrance’ to the dance floor, you know you’re in a special place. The walls are lined with pictures of dancers that have come and gone, artwork and photography from local tango artisans. The entry hallway almost looks athenian, almost. It may help that the columns outside add to that idea.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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