Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour, pointing out all your flaws, with very little correction. A didactic instructor instead focuses on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can be the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

Barring the above, for a private lesson to be effective, more than one is absolutely required – think in terms of 10 to 20.

The reality is that if you want any real change to how you are dancing, you must, must, must study. There are a number of ways to do this, however nothing replaces one-on-one study with a teacher to give you the kinesthetic feedback that you need, as you are dancing with them, and in the case of the didactic teacher one that does both dancing with you and focusing on your foundation, and furthermore doesn’t let you get away with anything at all.

At the same time having access to visual resources that can remind, and inspire you is also critical, as is practicing daily to reinforce what you have studied, as well as private practice with multiple partners, as well as social dancing.

To be clear: “Study” is not one thing, it’s several and all of them must happen at the same time for their to be any change in you. Remember the goal is not to be perfect (not perfectionism), but to be a very desirable to all the people that you dance with. And building that ‘desirability’ takes time, patience, perseverance, determination, and most of all practice!

The end result is not to practice for the dance you have now, but the dance you want to have later.

And the typical haphazard, willie-nilly, one off lesson here and there will do absolutely nothing for you except lighten your wallet by 100.00 to 150.00 (dollars/euro/pounds).

MORE REMINDERS

Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is fully of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”

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Giving Up Tango

There comes a point in your Tango life for one of several reasons where you find yourself in an odd place – the want to give up Tango. The most common reason is that you’re just not getting the same thing from the dance as you used to get from it. You go to Milongas. You find yourself sitting more, talking more, and dancing less.

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Lethargy (Moving Too Slow)

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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A Community Tanda

What is a Community Tanda ? Put simply it’s a Tanda whereby the participants of a Milonga are invited, and then wholly encouraged, to dance with someone that they have NOT danced with before or at all.

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Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Couple Exercises

There are lots of really good tango exercises for your feet, your balance, your stability, but there aren’t so many for the couple to practice. Or so you would think. The really obvious ones are 1.) The Molinete Together Exercise. 2.) The No Arms Exercise. and  3.) The Walk Together Exercise.

Read More »

10 REASONS TO SUBSCRIBE

There are 4 Levels of Access: Free, Basic, Premium, and Premium+. Free pays nothing but gets a perk just for signing up. 

1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

2.) 
Basic and Premium users Save A BOATLOAD of MONEY! Buying this stuff outright is expensive.

3.) Basic, Premium, and Premium+ users get access to the ALL ARTICLES and THE FULL ARTICLE which you can’t see right now.

4.) Basic, Premium, and Premium+ users have way better video resolution: Free = 420p, Basic = 720p, Premium = 1080p and 4K. 

5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

6.) Video Downloads! 

7.) Access to the Tango Topics Music Library (22 Curated Golden Age Orchestras)

8.) Access to ‘Tango Del Dia’ – Our Music Education System with access to 14 Days of Music, 30 Days of Music Education, and 30 More Days of Tango Del Dia. 

9.) We explain things, break the vocabulary down in a visual way, from multiple angles, showing feet, hands, and close ups! Yes there’s a lot of talking but we want you to understand what it is that you’re doing and why, not just steps, patterns, and figure

and #10:
No more annoying ads at the bottom of the page, begging you to subscribe! 

Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME MSG HERE

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